![]() ![]() They are able to digivolve by the use of Digivices that their human partners have. Most, however, are capable of and human speech. A D-Power ( ディーアーク, Dī Āku, 'D-Ark' in the Japanese version) is a type of that allows a Digimon to Digivolve and includes a card reader. In acknowledging the line drawn between in the series, Schwartz writes, 'The evil here consists in refusing to see that Digimon are 'real', real creatures, and that destroying any one of them is in fact.' Through the existence of intangible communication networks as a 'product of human ingenuity', she concludes that 'those of us in the 'real' world have become so good at playing creator, at making 'things' appear much like 'real' creatures, that we tend to confuse the two.'. Margaret Schwartz of writes, 'As and other media began to debate the September 11 images, I began to see just how important it was to consider how we as a culture define and experience 'reality' Some argue that the shocking video footage is a necessary experience of the catastrophe-even a condition of it.' She points out the story of Tamers where 'bits of forgotten computer data have fused to become a separate world inhabited by live creatures'. ![]() ![]() Regarding this, Konaka believes that Calumon and Terriermon were able to tone down the grim and serious atmosphere of the occasionally tough scenes throughout the series.The airing of the series coincided with the, and in at least one case, the events have been analyzed within the context of the series. Rika was designed with a 'strong' image and character in an attempt to boost sales for products based on female characters, which traditionally did not perform well in the market. Character design The characters were designed by Katsuyoshi Nakatsuru and was based on the concept of 'a normal elementary school student has a great adventure over the span of a year.' Producer Hiromi Seki had wanted the three main characters to be of mixed genders and consist of an immigrant or someone not raised in Japan. While the series was presented as dark, Terriermon and Calumon balanced out the tone of the series. As a result, the staff decided to portray death as a shocking event by using Leomon like in, even though Konaka had doubts about it. Shinji Aramaki joined the design team in the CGI animation, which including the Bio-merge scenes.Unlike the previous series, Konaka did not introduce the idea of Digimon being reborn after death, as he believed death should be portrayed realistically in a show for kids, especially since the main characters were risking their lives. ![]()
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